Paper ID |
Paper title |
Author(s) |
1005 |
free sound within culturally specific practice |
gluck, robert |
1017 |
the combination of visual and sonic generative processes in a digital landscape |
otondo, felipe; petersen, thomas |
1020 |
the suicided voice - the mediated voice |
bokowiec, julie; bokowiec, mark |
1061 |
musical thought networked |
tanzi, dante |
1099 |
melody detection in polyphonic audio: using note salience and melodic smoothness |
cardoso, am�lcar; mendes, teresa; paiva, rui pedro |
1138 |
an sql-based control system for live electronics |
canavese, francesco; giomi, francesco; meacci, damiano; schwoon, kilian |
1293 |
template based key finding from audio |
izmirli, ozgur |
1297 |
freedom within structural constraints in the darkride composition harrican day |
england, robert |
1326 |
mmt travel kit |
mountain, rosemary |
1003 |
towards an automated music teaching system: automatic recognition of musical melodies using the wf-4r |
takanishi, atsuo; suefuji, kei; chida, keisuke; solis alfaro, jorge |
1006 |
the overtone violin: a new computer music instrument |
overholt, dan |
1008 |
algebraic groups and chord tesselations |
jedrzejewski, franck |
1009 |
the music, technology and innovation research centre (mti) at de montfort university � studio report |
landy, leigh |
1010 |
simulation of human voice timbre by orchestration of acoustic music instruments |
hummel, thomas a. |
1013 |
synapse>valentine: reuniting acoustic and electronic |
baguyos, jeremy castro |
1014 |
the deleuze-ian/guattarian performance: performancing at n-1 dimensions |
franziska, schroeder |
1015 |
collaboration with live audiences in the orchestral concert hall |
freeman, jason |
1019 |
an automated event analysis system with compositional applications |
collins, nick |
1021 |
a genetic algorithm for the automatic generation of playable guitar tablature |
tuohy, daniel r.; potter, walter d. |
1022 |
midi to sp-midi transcoding using phrase stealing |
lui, simon; horner, andrew; ayers, lydia |
1023 |
timing is tempo-specific |
honing, henkjan |
1024 |
jack audio server for multi-processor machines |
letz, stephane; fober, dominique; orlarey, yann |
1026 |
plymouth brain-computer music interface project: intelligent assistive technology for music-making |
mullaney, hilary; boskamp, bram; brouse, andrew; miranda, eduardo |
1027 |
musical score generation |
kim-boyle, david |
1028 |
image-sound integration in two works for piano and computer |
kim-boyle, david |
1030 |
semi-supervised classification of muscial genre using multi-view features |
yang, jing; zhang, changshui; xu, yunpeng |
1032 |
imutus score processing components |
fober, dominique; letz, st�phane; orlarey, yann |
1033 |
editing strategies for b�zier-modeled continuous expression curves |
battey, bret |
1035 |
block-based physical modeling for digital sound synthesis of membranes and plates |
rudolf, rabenstein; stefan, petrausch |
1036 |
composition as game strategy: making music by playing board games against evolved artificial neural networks |
zhang, qijun; miranda, eduardo |
1037 |
kitty: a package for external patches communication management in max/msp � a progress report |
sousa dias, antonio; ferreira lopes, paulo |
1038 |
the architecture of auracle: a voice-controlled, networked sound instrument |
freeman, jason; ramakrishnan, sekhar; varnik, kristjan; neuhaus, max; burk, phil; birchfield, david |
1041 |
inner room extension of a general model for spatial processing of sounds |
yadegari, shahrokh |
1044 |
rolling the jching: an algorithmic compositional system |
hamilton, robert |
1045 |
jack-on: a low-cost wireless sensor interface |
moon, barry |
1046 |
a novel approach to mixed model discrete-time domain simulation of the sound field generated by a string |
escolano, jos�; pueo, basilio; petrausch, stefan; rabenstein, rudolf |
1048 |
extended principal components analysis matching with spectral weighting for wavetable synthesis |
wun, simon; horner, andrew; ayers, lydia |
1050 |
granular synthesis of sounds through markov chains with fuzzy control |
maia, adolfo; miranda, eduardo |
1052 |
lie poisson synthesis |
benzel, steven |
1053 |
amazon time zone |
keller, damian; capasso, ariadna; capasso, diana |
1054 |
the �cosmos� model; an event generation system for synthesizing emergent sonic structures |
bokesoy, sinan |
1062 |
automatic generation of metrical structure based on gttm |
tojo, satoshi tojo; hirata, keiji hirata; hamanaka, masatoshi hamanaka |
1064 |
application of image sonification methods to music |
berger, jonathan; yeo, woon seung |
1065 |
developing cross-platform audio and music applications with the clam framework |
amatriain, xavier; arumi, pau |
1067 |
a simple dynamic tone hole model for real-time synthesis of clarinet-like instruments |
guillemain, philippe; terroir, jonathan |
1068 |
an interactive aural approach to the analysis of computer music |
clarke, michael |
1069 |
new warped lpc-based feature for fast and robust speech/music discrimination |
rivas pe�a, fernando; vera candeas, pedro; ruiz reyes, nicolas; garcia galan, sebastian; mu�oz exposito, jose enrique |
1070 |
modernising live electronics technology in the works of jonathan harvey |
coccioli, lamberto; bullock, jamie |
1071 |
new approaches to digital subtractive synthesis |
huovilainen, antti; valimaki, vesa |
1072 |
multi-ripple loss filter for waveguide piano synthesis |
lehtonen, heidi-maria; rauhala, jukka; valimaki, vesa |
1073 |
spaa: an agent based interactive composition |
spicer, michael |
1074 |
the first five years of concatenative sound synthesis |
schwarz, diemo |
1075 |
the compositional processes of electroacoustic composers: four contrasting perspectives |
upton, catherine; eaglestone, barry; ford, nigel |
1076 |
evolving adaptive sensors in a synthetic listener |
peter, beyls |
1077 |
the "air worm": an interface for real-time manipulation of expressive music performance |
widmer, gerhard; goebl, werner; dixon, simon |
1078 |
studio report: music research centre, department of music, university of york |
myatt, tony |
1079 |
extensions to the similarity neighborhood model for finding subsequences of melodies in musical pieces |
obermayer, klaus; adiloglu, kamil |
1083 |
towards schenkerian analysis by computer: a reductional matrix |
marsden, alan |
1085 |
a pen-based musical score editor |
s�bastien, mac�; eric, anquetil; elodie, garrivier; bruno, bossis |
1086 |
scrime studio report |
desainte-catherine, myriam; hanna, pierre; marchand, sylvain |
1087 |
demonstration of faust signal processing language |
orlarey, yann; fober, dominique; letz, stephane |
1088 |
data anticipation for gesture recognition in the air percussion |
desainte-catherine, myriam; marchand, sylvain; havel, christophe; goudard, vincent |
1089 |
a flexible authoring tool for wave field synthesis |
pueo, basilio; escolano, jos�; l�pez, jos� javier; bleda, sergio |
1090 |
ixi software: open controllers for open source audio software |
magnusson, thor |
1091 |
imutus - an effective practicing environment for music tuition |
orlarey, yann; hansen, kjetil falkenberg; baxevanis, alexandros; letz, stephane; schoonderwaldt, erwin; chalamandaris, aimilios; fober, dominique; askenfelt, anders; raptis, spyros |
1092 |
an evaluation of warping techniques applied to partial envelope analysis |
timoney, joseph; lysaght, tom; macmanus, lorcan; lazzarini, victor |
1094 |
modeling a processive perspective on meter in music |
volk, anja |
1095 |
notation-based ancient greek music synthesis with arion |
politis, dionysios; vandikas, konstantinos; margounakis, dimitrios |
1096 |
from boulez to ballads: training ircam's score follower |
schwarz, diemo; cont, arshia; schnell, norbert |
1097 |
modalys demonstration |
ellis, nicholas; bensoam, jo�l; causs�, ren� |
1098 |
tiling the (musical) line with polynomials: some theoretical and implementational aspects |
emmanuel, amiot; moreno, andreatta; carlos, agon |
1102 |
karaoke system with spatial acoustics estimation for vocal or instrumental removal |
dubnov, shlomo; xiang, pei |
1103 |
a streaming object oriented implementation of the modal distribution |
lazzarini, victor; lysaght, thomas; timoney, joseph |
1104 |
synthesis and perceptual manipulation of percussive sounds |
ystad, solvi; kronland-martinet, richard; aramaki, mitsuko; voinier, thierry |
1105 |
haile � towards robotic musicianship |
weinberg, gil; driscoll, scott; parry, mitch |
1106 |
automatic location of vocal music thumbanil |
shi, yuan-yuan; zhu, xuan; oh, kwang-cheol |
1111 |
drumtrack: beat induction from an acoustic drum kit with synchronised scheduling |
collins, nick |
1113 |
symbolic control of sound synthesis in a computer-assisted composition environment |
carlos, agon; marco, stroppa; jean, bresson |
1115 |
mimesis, a visual and musical instrument |
karman, gregorio; sim�, agueda |
1116 |
synthesizing a javanese gong ageng |
ayers, lydia; horner, andrew |
1117 |
a physical model and experimental testbed for real-time simulation of flute-like instruments |
de la cuadra, patricio; fabre, benoit |
1118 |
lattice: strategies for and against control in an improvisation instrument |
burns, christopher |
1119 |
software agents and creating music/sound art: frames, directions, and where to from here ? |
whalley, ian |
1120 |
using timbre in a computer-based improvisation system |
hsu, william |
1121 |
software for spectral analysis, editing, and synthesis |
klingbeil, michael |
1122 |
extending dynamic stochastic synthesis |
brown, andrew |
1124 |
group structure and equivalence classes in extended twelve-tone operations |
ilom�ki, tuukka |
1126 |
evolution and embodiment: playable instruments for free music |
favilla, stuart |
1127 |
visual audio - a package for designing, tuning and testing audio applications for embedded processors |
van duyne, scott; stilson, tim; jaffe, david a. |
1129 |
radial/elliptical basis function neural networks for timbre classification |
cook, perry; park, tae hong |
1132 |
navigating the landscape of computer aided algorithmic composition systems: a definition, seven descriptors, and a lexicon of systems and research |
ariza, christopher |
1134 |
real-time auditory models |
pressnitzer, daniel; gnansia, dan |
1135 |
concatenation and stretch/squeeze of musical instrumentalsound using sound morphing |
osaka, naotoshi |
1136 |
michelangelo lupone: "corda di metallo" (1997) |
cianciusi, walter |
1137 |
sliding is smoother than jumping |
ffitch, john; bradford, russell; dobson, richard |
1139 |
dissonance, noise and sex: (re)building (hi)stories of electroacoustic music |
�lvarez fern�ndez, miguel |
1140 |
enp expression designer - a visual tool for creating user definable expressions |
kuuskankare, mika; laurson, mikael |
1141 |
sound diffusion using hand-held light-emitting pen controllers |
rebelo, pedro; alcorn, michael; brown, ken |
1142 |
electroacoustic performance interfaces that learn from their users |
melo, andr�s; drever, john; wiggins, geraint |
1143 |
emergence as a sonic construct |
rebelo, pedro; davis, tom |
1144 |
paths on stern-brocot tree and winding numbers of modes |
vicinanza, domenico |
1145 |
a virtual patchbay for robust distributed interactive music systems |
dannenberg, roger |
1149 |
ace: a general-purpose classification ensemble optimization framework |
mckay, cory; mcennis, daniel; fiebrink, rebecca; fujinaga, ichiro |
1150 |
using a perceptually based timbre metric for parameter controlestimation in a physical model of the clarinet |
smith, julius; berger, jonathan; terasawa, hiroko |
1153 |
extracting the melody of an image using probabilistic genetic algorithm |
ghavami zadeh, ramak; pirnia, abbas |
1154 |
audio signal driven sound synthesis |
poepel, cornelius; dannenberg, roger b. |
1155 |
large-scale duration organization in �hodoi t� erg�� |
kuitunen, kimmo; kuuskankare, mika; laurson, mikael |
1156 |
an efficient algorithm for motivic pattern extraction based on a cognitive modeling |
lartillot, olivier |
1157 |
on the relative influence of even and odd harmonics in clarinet timbre |
barthet, mathieu; guillemain, philippe; kronland-martinet, richard; ystad, solvi |
1159 |
beginner�s mind: an environment for sonic improvisation |
ciufo, thomas |
1160 |
design and implementation of automatic evaluation of recorder performance in imutus |
falkenberg hansen, kjetil; askenfelt, anders; schoonderwaldt, erwin |
1161 |
timbre, time, pitch and gestural motion in �ris by jo�o pedro oliveira-all |
rudy, paul |
1162 |
tactile composition systems for collaborative free sound |
o'shea, chris; livingstone, dan |
1165 |
the phase project : haptic and visual interaction for music exploration |
lambert, jean-philippe; gosselin, florian; rodet, xavier; pascal, mobuchon; roland, cahen |
1169 |
state-based sequencing: directing the evolution of music |
prugel-bennett, adam; nixon, mark s.; jewell, michael o. |
1171 |
a new dissimilarity metric for the clustering of partials using the common variation cue |
lagrange, mathieu |
1172 |
a smarter way to find pitch |
wyvill, geoff; mcleod, philip |
1173 |
peak extraction and partial tracking of music signals using kalman filtering |
satar-boroujeni, hamid; shafai, bahram |
1174 |
micro textures with marco-notes |
kuuskankare, mika; laurson, mikael |
1175 |
elevation problems in the auralisation of sound sources with arbitrary shape with wave field synthesis |
baalman, marije |
1177 |
surviving on planet ccrma, two years later and still alive |
lopez-lezcano, fernando |
1178 |
an algorithm for audio skew compensation in low latency environments |
werner, stefan |
1180 |
haptic theremin: developing a haptic musical controller using the sensable phantom omni |
cunitz, bryan; moss, william 'pete' |
1181 |
design, implementation, and application of a generative model for soundscape creation |
birchfield, david; mattar, nahla; sundaram, hari |
1182 |
responsive environments: new technology and theatre sound |
kraskin, michael |
1183 |
combining audio and gestures for a real-time improviser |
morales, roberto; morales, eduardo |
1185 |
lambda-gtk: a portable graphics layer for common music |
taube, heinrich |
1188 |
the digital intonarumori |
serafin, stefania |
1189 |
using codes: cooperative music prototyping and its educational perspectives |
manara miletto, evandro |
1191 |
the ballancer --- gesturally controlled physics-based sound |
rath, matthias |
1192 |
isis, an alternative approach to sound waves |
barlow, clarence |
1193 |
motivic analysis regarding rudolph reti: formalization within a topological model |
buteau, chantal |
1194 |
phase bashing for sample-based formant synthesis |
puckette, miller |
1196 |
sonenvir - a progress report |
h�ldrich, robert; frauenberger, christopher; de campo, alberto |
1197 |
orb3 � musical robots within an adaptive social composition system |
livingstone, dan; miranda, eduardo |
1198 |
towards a roadmap for the research in music technology |
serra, xavier |
1200 |
visualization of low dimensional structure in tonal pitch space |
saul, lawrence k.; burgoyne, j. ashley |
1202 |
geometry in sound: a speech/music audio classifier inspired by an image classifier |
k�gl, bal�zs; eck, douglas; casagrande, norman |
1205 |
ftm - complex data structures for max |
schnell, norbert schnell |
1207 |
sndtools: real-time audio dsp and 3d visualization |
cook, perry; wang, ge; misra, ananya |
1208 |
optimal positioning in low-dimensional control spaces using convex optimization |
wessel, david; kassakian, peter |
1209 |
towards the synthesis of wavefront evolution in 2-d |
essl, georg |
1210 |
a synaesthetic approach for a synthesizer interface based on genetic algorithms and fuzzy sets |
schatter, g�nther; z�ger, emanuel; nitschke, christian |
1211 |
perceptual atomic noise |
jensen, kristoffer |
1213 |
improvisation planning and jam session design using concepts of sequence variation and flow experience |
assayag, gerard |
1216 |
musical processes |
mayer-lindenberg, fritz |
1218 |
algorithms today - notes on language design for just in time programming |
wieser, renate; de campo, alberto; rohrhuber, julian |
1220 |
gismo: an application for agent base composition |
uozumi, yuta |
1225 |
designing and implementing chuck and the turing time machine |
misra, ananya; cook, perry; wang, ge |
1227 |
ilearn: an itunes audio indexing plug-in for education |
mcallister, graham |
1230 |
control of vst plug-ins using osc |
zbyszynski, michael |
1231 |
performing algorithmic computer music |
esler, robert |
1233 |
qosqo: spirituality, process and structure |
kendall, gary |
1234 |
wavetable interpolation of multiple instrument tones |
mohr, jonathan; li, xiaobo |
1235 |
a stethoscope for imaginary sound: interactive sound in a health care environment |
wilson, paul; alcorn, michael; rebelo, pedro |
1237 |
spatialisation using sounding objects |
bilbao, stefan; alcorn, michael; van walstijn, maarten |
1238 |
the prosthetic conga: towards an actively controlled hybrid musical instrument |
rebelo, pedro; van walstijn, maarten |
1239 |
new sound decomposition method applied to granular synthesis |
pottier, laurent; bascou, charles |
1244 |
towards a semantic descriptor of subjective intensity in music |
sandvold, vegard |
1245 |
"play it again, south" [where all that music was before?] |
dal farra, ricardo |
1246 |
sarc: studio report |
alcorn, michael; corrigan, chris; rebelo, pedro |
1247 |
re-wired : reworking 20th century live electronics for today |
polfreman, richard; dearden, ian; sheppard, david |
1248 |
liem-cdmc, studio report |
n��ez, adolfo |
1249 |
the machine learning and intelligent music processing group at the austrian research institute for artificial intelligence (�fai), vienna |
widmer, gerhard; dixon, simon; flexer, arthur; goebl, werner; knees, peter; madsen, soren tjagvad; pampalk, elias; pohle, tim; schedl, markus; tobudic, asmir |
1250 |
forma del respiro by michelangelo lupone |
spanu, luca |
1251 |
the virtual electronic poem (vep) project |
lombardo, vincenzo |
1253 |
rtmidi, rtaudio, and a synthesis toolkit (stk) update |
cook, perry; scavone, gary |
1254 |
a finite difference plate model |
bilbao, stefan |
1258 |
analysis of electroacoustic works with music and language intersections |
segnini, rodrigo; ruviaro, bruno |
1259 |
estimating transfer function from the air conduction to the bone conduction using singing voice |
berger, jonathan; won, sook young |
1260 |
a taxonomy of sequencer user-interfaces |
duignan, matthew; biddle, robert; noble, james |
1261 |
studio report: university of victoria music intelligence and sound technology interdisciplinary centre (mistic) |
driessen, peter f.; schloss, w. andrew; tzanetakis, george; mcnally, kirk; kapur, ajay |
1262 |
page turning and image size in a digital music stand |
bell, tim; church, annabel; mcpherson, john; bainbridge, david |
1263 |
audio analogies: creating new music from an existing performance by concatenative synthesis |
agrawala, maneesh; salesin, david; basu, sumit; simon, ian |
1264 |
a history of robotic musical instruments |
kapur, ajay |
1267 |
time-stretching using the instantaneous frequency distribution and partial tracking |
lysaght, tom; timoney, joe; lazzarini, victor |
1268 |
varese's poeme electronique regained: evidence from the vep project |
ffitch, john; dobson, richard; tazelaar, kees; lomdardo, vincenzo; valle, andrea |
1269 |
importance of inharmonicity in the acoustic guitar |
karjalainen, matti; j�rvel�inen, hanna |
1271 |
guitar fingering for music performance |
radicioni, daniele |
1273 |
home conducting � control the overall musical expression with gestures |
friberg, anders |
1274 |
electroacoustic music laboratory. jesus guridi conservatoire of music |
garcia de la torre, alfonso |
1275 |
what is the color of that music performance? |
bresin, roberto |
1277 |
virtual audio reproduction engine for spatial environments |
zm�lnig, johannes m; musil, thomas; zouhar, vit; h�ldrich, robert |
1279 |
the semantichifi project |
hugues, vinet |
1280 |
the reactable* |
jord�, sergi; kaltenbrunner, martin; geiger, g�nter; bencina, ross |
1281 |
intra-note features prediction model for jazz saxophone performance |
ramirez, rafael; hazan, amaury; maestre, esteban |
1283 |
tonality visualization of polyphonic audio |
bonada, jordi; g�mez, emilia |
1284 |
an associative approach to computer-assisted music composition |
dahan, kevin |
1285 |
a goals-based review of physical modelling for music |
cadoz, claude; castagne, nicolas |
1286 |
the thing like us: a topology of ultra-low frequencies |
van maas, sander |
1288 |
developing tools for studying musical gestures within the max/msp/jitter environment |
jensenius, alexander refsum; godoy, rolf inge; wanderley, marcelo m. |
1289 |
semantic segmentation of music audio contents |
herrera, perfecto; ong, bee suan |
1291 |
the laboratory for creative arts & technologies - studio report |
beck, stephen david |
1294 |
the m-objects: a small library for musical rhythm generation and musical tempo control from dance movement in real time |
guedes, carlos |
1299 |
a framework for perceptually-based interaction in sound synthesis |
hepting, daryl; gerhard, david |
1300 |
sound re-synthesis from feature sets - audible insight into a music feature extraction process |
p�lzlbauer, georg; rauber, andreas; lidy, thomas |
1301 |
time variable tempo detection and beat marking (using reassigned spectral energy flux, combined dtf/acf and viterbi algorithm) |
peeters, geoffroy |
1302 |
music haptic : musical harmony notions for all with a force feedback mouse and a spatial representation |
tornil, bertrand |
1303 |
towards a holophonic musical texture |
kokoras, panayiotis |
1306 |
implicit patching for dataflow-based audio analysis and synthesis |
tzanetakis, george; bray, stuart |
1307 |
a generalized parametric reed model for virtual musical instruments |
smyth, tamara; abel, jonathan; smith iii, julius o. |
1308 |
larynxophone: using voice as a wind controller |
loscos, alex; celma, oscar |
1311 |
the rhythm transform: towards a generic rhythm description |
guaus, enric; herrera, perfecto |
1312 |
automated testing of open-source music software with opensound control |
chaudhary, amar |
1314 |
piano case, keyboard, and strings: separation-derived musical instruments in an interactive composition |
kojs, juraj |
1315 |
why does the acoustic space of churches exalt the gregorian chant? a first step towards acoustic characterization by means of modulation transfer function |
onali, paolo; astolfi, arianna; pisani, raffaele; vitale, renzo |
1316 |
the integral music controller: introducing a direct emotional interface to gestural control of sound synthesis |
cook, perry r.; knapp, r. benjamin |
1317 |
co-audicle: a collaborative audio programming space |
cook, perry; davidson, philip; misra, ananya; wang, ge |
1318 |
medialogy at aalborg university copenhagen |
nordahl, rolf; serafin, stefania |
1319 |
pocket gamelan: a blueprint for performance using wireless devices |
havryliv, mark; schiemer, greg |
1323 |
real time signal transposition with envelope preservation in the phase vocoder |
rodet, xavier; roebel, axel |
1327 |
studio report: university of minnesota, usa |
geers, douglas |
1328 |
open-source matlab tools for interpolation of sdif sinusoidal synthesis parameters |
wright, matthew; smith, julius |
1330 |
timbre as a psychoacoustic parameter for harmonic composition and analysis |
einbond, aaron; hunt, jeremy; maccallum, john |
1332 |
dissco: a unified approach to sound synthesis and composition |
tipei, sever; kaper, hans |
1333 |
wireless dance control: pair and wisear |
topper, david; swendsen, peter |
1334 |
musicstrands: the platform for discovering and exploring music |
torrens, marc |
1335 |
fuzzy rules in computer-assisted music interpretation |
kiseliova, tatiana |
1337 |
musique lab 2 : a three level approach for music education at school |
vincent, puig |
1338 |
if i had a hammer: design and theory of an electromagnetically-prepared piano |
berdahl, edgar; backer, steven; smith iii, julius o. |